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Recent Posts
- One good thing about music, when it hits you, you feel no pain – Derek Artist
- WORN FREE IMMORTALIZES BOB MARLEY
- The Battle over Marley’s Name and Legacy
- INTERVIEW WITH TONY WRIGHT
- Reggae Legends
- NEW RELEASE: BOB MARLEY INTERVIEWS
- ROTOTOM – Rita Marley “give a little one more time”
- ROTOTOM – We were a little bit Marley yesterday
- LES PIONNIERS DU REGGAE EN FRANCE – REVIEW
- Roger Mayer – Bob’s Guitar effect
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Last Interviews
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INTERVIEW WITH TONY WRIGHT
15 November 2011 12:01 PM | No Comments[Translate] INTERVIEW WITH TONY WRIGHT BY MARCO VIRGONA Tony Wright (b. 23 October 1949) is an artist who created album covers such as Bob Marley’s Natty Dread and Traffic’s The Low Spark of High Heeled Boys and others including Bob Dylan’s Saved His art work...
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Reggae Legends
05 October 2011 5:54 PM | No Comments[Translate] Coreen Simpson’s illustrious career began as a photojournalist covering political dignitaries, cultural icons, musicians, athletes and special events in New York, the Middle East, Africa and Europe. Ms. Simpson became one of a handful of female photographers on regular assignment covering the Fashion Collections...
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NEW RELEASE: BOB MARLEY INTERVIEWS
21 September 2011 7:56 AM | No Comments[Translate] NEW RELEASE – BOB MARLEY INTERVIEWS Jann Wenner, the co-founder of ‘Rolling Stone’ magazine, said at Bob Marley’s 1994 posthumous introduction into the Rock and Roll Hall of Fame: “Bob Marley was the Third World‘s first pop superstar. He was the man who introduced the...
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Interview with Original Wailers 1
Interview with Original Wailers 2
Interview with Original Wailers 3
Interview with Original Wailers 4
Views
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- Archives - 8,517 views
- Interview with Heather Marley - 7,992 views
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Artistic Glass Archive
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Portrait of Bob Marley
Posted on 25/02/2010 | No Comments[Translate] Basically, the idea for this came to me as I was studying a well-known image of Bob Marley in the winter of 2002. This particular image was a poster mosaic composed of little pictures of Bob, and each picture was a square. As I...
















